[Photo by Megan Whittle]

Counting “Every Brilliant Thing” About the NOLA Project’s New Production

10:00 March 28, 2025
By: Carlos Turner

The NOLA Project's Every Brilliant Thing

How do you make a one-man show with virtually no set engaging? In the NOLA Project's production of Every Brilliant Thing, Alex Martinez Wallace wears his heart on his sleeve, leading the audience through wide ranges of emotions and settings all with bare bones staging.

Every Brilliant Thing, written by Duncan Macmillan and Jonny Donahoe, follows a 6-year-old boy into adulthood as he struggles to understand and cope with his mother's severe depression and multiple suicide attempts. His response is to create a list of every brilliant thing, such as "ice cream," or "kung fu movies." What starts out as a way to cheer up his mother turns into a symbol of hope for all who struggle with depression.

Strength in Minimalism

While the content of this play veers very dark and uncomfortable, the child-like curiosity and engaging humor keeps the show entertaining and positive. As the unnamed, lead character, Wallace creates an exciting and safe space to share happy, sad, and funny stories, like a conversation with an old friend. His performance brings out familiar and comfortable feelings as he recounts his troubled past, made easier by the fact that he is the only person on stage.

This production maintains engagement especially through audience participation. The character calls on audience members to read out certain items on his brilliant list. Occasionally, he asks audience members to stand in for titular roles in the show, such as the veterinarian that puts down his dog or his college love interest, even inviting them to improvise lines. This gives the show a very grounded feeling, like we are collaborators with Wallace to share this story.

While the NOLA Project is no stranger to a minimalist production, what stands out is the significance of the performance space in their shows. In the fall, the NOLA Project's production of Pass Over was held in the courtyard of the New Orleans African American Museum, mirroring the story and setting of the play—two African American men sitting on a street corner.

Every Brilliant Thing at Big Couch

Every Brilliant Thing is performed at Big Couch, known for its improv jams and classes, indicative of the audience participation and improv required in the show. This world-building not only creates a realistic setting for the plays themselves but also draws attention to landmarks of New Orleans theater and culture. The storytelling reaches farther than the lines, props, or audience engagement—the NOLA Project grounds their stories in New Orleans in a literal way, truly making their productions ours.

[Courtesy of The NOLA Project]

Be prepared to laugh, cry, and, most importantly, participate. Every Brilliant Thing is playing through April 6 at Big Couch, located at 1045 Desire St. in New Orleans. Tickets are available at nolaproject.com.

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